Bill Ward is an award winning British actor and photographer, born and raised in Newcastle-upon-Tyne.
He has a degree in Modern British History (Class 2.1) from Bristol University.
Bill started out in the Advertising Industry, and for over a decade had a successful career firstly as an Account Director, latterly as a Senior Strategic Planner for some of the UK’s top ad agencies (inc BBH, Saatchi and Saatchi).
A professional actor since 2000, his career includes extensive rep theatre experience (Bath Theatre Royal, Bristol Old Vic, Manchester Royal Exchange, Nothern Stage, Theatre Clwyd), West End (Spamalot, Million Dollar Quartet, Viva Forever), New Writing (National Theatre Studio, Battersea Arts Centre, White Bear), Off West End (Southwark Playhouse), Film (A Dark Reflection, Great Ghost Rescue, Ellie Rose) and TV (Silent Witness, Robin Hood, Footballers Wives, Cold Blood, Jonathan Creek, Midsomer Murders, Casualty, The Bill, Coronation Street, Emmerdale, Eastenders etc.)
He is probably best known for playing the badly behaved builder Charlie Stubbs in the UK TV show Coronation Street, a role he played for over 300 episodes and three and a half years, and for which he won a number of awards. He also played the long suffering farmer, James Barton, in Emmerdale, also for over 300 episodes, and for which he was also nominated for a number of awards. He recently finished touring the UK with the Bath Theatre Royal production of Shakespeare in Love. For full CV etc, do feel free to visit Bill’s Spotlight page.
As a photographer, Bill is essentially self taught, and has been taking photographs since the age of 6. He is a brand ambassador for Pentax Cameras.
He was awarded the inaugural Adobe Prize for his photograph "Rainbow Falls" at the 2015 Take a View UK Landscape Photographer of the Year Awards (see coverage in the National Press). His work was previously Commended at the 2013 Take a View UK Landscape Photographer of the Year Awards, a competition for which he is also frequently shortlisted. He has had over twenty photographs shortlisted at the Outdoor Photographer of the Year Awards, with one of his photographs, "Log, Small Worlds" making the book (the shortlist of the shortlist) in 2017, and recently had 2 photographs Commended, and another two Shortlisted, at the 2018 Scottish Landscape Photographer of the Year Awards. His work has also been featured in a number of books, newspapers, magazines, advertising campaigns, and on the BBC website. He shoots for the photographic agency Robert Harding.
He has permanent collections with the Mick Oxley Gallery in Craster, Northumberland, and the online gallery The Global Art Company. He has had solo exhibitions at the Wendy J Levy Gallery in Manchester, The Royal Exchange Theatre in Manchester, The Tabernacle in Notting Hill, The Number Ten Gallery in Rochdale, Hollingworth Lake nr. Littleborough, and The Alhambra Gallery in Sydenham. His work has also been exhibited at The Diemar Noble Gallery in London, The Contemporary Six Gallery in Manchester, Webbs Fine Art Gallery in London, The Louise Janetta Studio in Buxton, the Rochdale Literature and Ideas Festival, the Manchester Buy Art Fair, as well as numerous bars, restaurants and cafes.
He frequently gives talks at photographic societies and camera clubs all over the UK.
Constantly in search of peace and quiet, his photography is a response, and in many ways an antidote, to the time he spends as an actor working in the public eye.
His primary photographic interest is landscapes, whether natural, urban or industrial. A native of Newcastle-upon-Tyne, he is specifically drawn to water, and has a strong interest in history. Things that were once great, faded glory, a wistfulness for a time when, loom very big on his radar.
A lifelong traveller, he is particularly interested not just in the places he goes, but the time that he spends in them. It's this "time", the time spent in, and with, a place, that forms the basis of his work. His photography is a deliberate attempt to explore how it felt to be there: specifically how it felt to spend this particular time, with this particular place.
He has for some time now been experimenting with ICM (Intentional Camera Movement - the process of deliberately moving the camera whilst taking a picture) and in-camera Multiple Exposures, which he finds particularly revealing of the "essence" of any meeting between a person and wherever they happen to be.
He's a fundamental believer not just in the beauty, but also the wonder of planet earth, and the privilege we all have of spending the limited time that we have on it, and with it.
I've pretty much always shot with Pentax Cameras, most recently the excellent Pentax K1, and am delighted to be an Ambassador for the brand.
I first came across Pentax whilst working for their advertising agency (Saatchi and Saatchi) as a Strategic Planner in the 1990s. I've owned a number of Pentax cameras over the years, both film and digital, and have always enjoyed using them. They always feel very solid, built for purpose, very intuitive.
In addition to the K1, I also use a K3II for back up, a converted K5 for Infra Red work, and still use an old 645 medium format film camera, as well as a couple of old bashed up 35mm film cameras when I want to slow things down a bit.
I like the fact that all these cameras are backwards compatible with 30 odd years of quality Pentax glass, and, as you might expect from a lifelong supporter of NUFC, I've always been one for the underdog.
I've been mucking about recently with various lenses on the K1. Current favourites include the D FA 15-30, and D FA 24-70. Old glass that can still cut it includes the FA 24-90 and the FA primes: 20, 28, 35, 50. The FA 20 2.8 is a belter, and the FAJ 75-300 is pretty useful too.
I like to spend time with places when no one else is around, so the photographs I take are often (but not always) at the extremes of the day, first or last light, dawn or dusk.
For post, I use Adobe Lightroom. As little as possible.
He has had solo exhibitions at the Wendy J Levy Gallery in Manchester, The Royal Exchange Theatre in Manchester, The Alhambra Gallery in Sydenham, The Tabernacle in Notting Hill, The Number Ten Gallery in Rochdale, and Hollingworth Lake nr. Littleborough. His work has also been exhibited at The Diemar Noble Gallery in London, Webbs Fine Art Gallery in London, The Contemporary Six Gallery in Manchester, The Louise Janetta Studio in Buxton, and Manchester Buy Art Fair.
He frequently exhibits his work in local galleries, art trails, pubs, bars, restaurants and cafes.
He also regularly gives talks at camera clubs and photographic events all over the country. Do get in touch via the contact page on this website if you have any suggestions...